
As is known, in the Soviet Union there were the best cartoons in the world also because each frame of “Prostokvashino” or “There once was a dog” was drawn separately. It turned out great, but long and inefficient. Artists for years could work on a ten-minute masterpiece, while in the East and West riveted and sold in batches of crafts-cartoon series. Commercial animation quickly mastered the technology of a static substrate on top of which the characters were drawn separately on pieces of polyethylene.
Actually, what am I doing? The Japanese designer Mac Funamizu (Mac Funamizu), about whom they had already
written something on Habré, recently gave birth to the concept of a monitor with a double bottom.
The picture of the substrate on it can be displayed completely independently of the "surface" image, complementing and deepening it. The scope of such a device seems huge. The simplest thing that comes to mind is GPS navigation and photo frames.
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