Now streaming services in the USA will pay musicians more - we are discussing the new law
In mid-October in the United States was signed a new federal law - Music Modernization Act (MMA). He must resolve the issue of the size of royalties paid by streaming platforms to musicians. Songwriters will start to get more money for their work.
We are talking about the prerequisites for the adoption of the law and the reaction of the community to it.
Photo Wikimedia / CC
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The size of royalties paid by streaming services to musicians is small. According to Digital Music News on average, Spotify pays musicians for one listening to their song on the site of $ 0.00397. Apple Music has a “price tag” of $ 0.00783.
At the same time in the United States there is no single and complete archive with the data of the authors of music and lyrics. When services like Spotify cannot, for whatever reason, identify the owner of the rights to the work, they turn to the Copyright Office to find the musician. But because of the incompleteness of the base, these appeals often remain unanswered. It turns out that the musicians receive less money.
In general, the problem of low royalties in the community has been rising for a long time . Therefore, the politicians decided that it was time to change the system of royalties.
The Music Modernization Act will take effect on January 1, 2020. Representatives of the music industry say they have been waiting for the adoption of this law for 15 years.
To protect the interests of musicians in the United States will create a new regulatory authority - Mechanical Licensing Collective (MLC). The organization will negotiate the amount of royalties with digital services, collect royalties from the platforms and independently distribute these payments among song rights holders.
In addition, the MLC will create and maintain a single database of musicians, composers and songwriters. Information from the archive will be available free of charge for all comers.
MMA also obliges streaming services to pay royalties for users listening to songs written between 1923 and 1972. Previously, the owners of the rights to these works did not receive money. The case was due to the fact that until 1972 the legal status of audio recordings was not regulated by US federal law .
Another innovation of MMA is a change in the order of litigation according to the size of licensing fees. Prior to the adoption of the act, each of the organizations for the protection of the rights of musicians always worked with the same federal judge. Now, each case will be considered by different judges randomly appointed. According to lawyers, this will help evaluate each case in an unbiased manner and establish a fair amount of payments that will not be based on previous decisions.
In general, the music industry has met a new act positively. However, a number of technology companies had claims to certain points of the document. For example, during the discussion of the law, the government disagreed with SiriusXM , which owns satellite and online radio stations.
For some reason (probably financial), representatives of the organization opposed the introduction of licensing fees for reproduction of records older than 46 years. In these negotiations, lawmakers even had to compromise in order to gain approval from the broadcasting giant. For SiriusXM set the same amount of payments until 2027.
But music streaming services had no complaints about the Music Modernization Act. In particular, the adoption of the law was supported in Spotify. According to the representative of the company, the act makes the system of license payments more transparent and simple. Spotify will pay a fixed percentage of the revenue of the Mechanical Licensing Collective. If the right holders are not satisfied with the size of the royalties, they will resolve this issue directly with the MLC. Streaming site does not have to spend time resolving individual conflicts.
In support of the act and expressed many songwriters, as well as producers. For example, the adoption of MMA was approved by Peter Asher (Peter Asher) - producer of Diana Ross, Ringo Starr and other artists. According to him , the law makes reasonable changes to protect the rights of musicians.
Photo of Eva Rinaldi / CC / Neil Diamond gives a concert in Australia
The act was supported by the American singer Neil Diamond. For him, the most important was the fact that, finally, the issue with the works that appeared before 1972 was resolved. Diamond says that many great musicians did not receive money for songs that are successful in streaming services, and the law corrects this injustice.
Nevertheless, some independent performers still expressed concerns that payments from streaming services would not be fair enough. The fact is that the composition of the Mechanical Licensing Collective will include ten representatives of music labels and only four independent songwriters. This can lead to unequal distribution of royalties in favor of large labels, since indie musicians are in the minority.
Although MMA should help musicians receive a more equitable payment for their works, it has yet to work on. According to lawyers, the new law makes the system of license payments even more difficult, and it will be difficult for independent musicians to understand it. Representatives of copyright protection organizations agree with this. President of the American Society of Composers, Authors and Publishers ( ASCAP ) Paul Williams (Paul Williams) supported the act, but said that MMA is only the first step towards a full-fledged regulatory mechanism.
Much will depend on the action of the Mechanical Licensing Collective. The organization will have to create an exhaustive database of songwriters and think about ways to interact with labels and musicians. These are not easy tasks, and the decisions of the MLC will determine whether the new law will really benefit composers and performers.
Our microformat about audio and sound:
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On November 10, in the showroom on Elektrozavodskaya, we will hold a special event, at which Artyom Faermark, the head of Audiommania, Yuri Fomin, design engineer, and invited experts will speak. It will be about modern approaches to the design and production of acoustics, recommendations for the selection of audio systems. You are waiting for reports, demonstrations, answers to questions. There will also be an online broadcast. Beginning at 12:00 - additional announcement and other details we will inform in our following materials and Telegram-channel Audiomania .
We are talking about the prerequisites for the adoption of the law and the reaction of the community to it.
Photo Wikimedia / CC
')
The problem of low royalties
The size of royalties paid by streaming services to musicians is small. According to Digital Music News on average, Spotify pays musicians for one listening to their song on the site of $ 0.00397. Apple Music has a “price tag” of $ 0.00783.
At the same time in the United States there is no single and complete archive with the data of the authors of music and lyrics. When services like Spotify cannot, for whatever reason, identify the owner of the rights to the work, they turn to the Copyright Office to find the musician. But because of the incompleteness of the base, these appeals often remain unanswered. It turns out that the musicians receive less money.
In general, the problem of low royalties in the community has been rising for a long time . Therefore, the politicians decided that it was time to change the system of royalties.
What will change the new law
The Music Modernization Act will take effect on January 1, 2020. Representatives of the music industry say they have been waiting for the adoption of this law for 15 years.
To protect the interests of musicians in the United States will create a new regulatory authority - Mechanical Licensing Collective (MLC). The organization will negotiate the amount of royalties with digital services, collect royalties from the platforms and independently distribute these payments among song rights holders.
In addition, the MLC will create and maintain a single database of musicians, composers and songwriters. Information from the archive will be available free of charge for all comers.
The law will change the order of payments to producers and sound producers. They will start receiving royalties not from the label, but directly from the organization dealing with copyright protection. According to this scheme it was possible to work before, but now this approach has become mandatory.
MMA also obliges streaming services to pay royalties for users listening to songs written between 1923 and 1972. Previously, the owners of the rights to these works did not receive money. The case was due to the fact that until 1972 the legal status of audio recordings was not regulated by US federal law .
Another innovation of MMA is a change in the order of litigation according to the size of licensing fees. Prior to the adoption of the act, each of the organizations for the protection of the rights of musicians always worked with the same federal judge. Now, each case will be considered by different judges randomly appointed. According to lawyers, this will help evaluate each case in an unbiased manner and establish a fair amount of payments that will not be based on previous decisions.
How the community responded
In general, the music industry has met a new act positively. However, a number of technology companies had claims to certain points of the document. For example, during the discussion of the law, the government disagreed with SiriusXM , which owns satellite and online radio stations.
For some reason (probably financial), representatives of the organization opposed the introduction of licensing fees for reproduction of records older than 46 years. In these negotiations, lawmakers even had to compromise in order to gain approval from the broadcasting giant. For SiriusXM set the same amount of payments until 2027.
But music streaming services had no complaints about the Music Modernization Act. In particular, the adoption of the law was supported in Spotify. According to the representative of the company, the act makes the system of license payments more transparent and simple. Spotify will pay a fixed percentage of the revenue of the Mechanical Licensing Collective. If the right holders are not satisfied with the size of the royalties, they will resolve this issue directly with the MLC. Streaming site does not have to spend time resolving individual conflicts.
In support of the act and expressed many songwriters, as well as producers. For example, the adoption of MMA was approved by Peter Asher (Peter Asher) - producer of Diana Ross, Ringo Starr and other artists. According to him , the law makes reasonable changes to protect the rights of musicians.
Photo of Eva Rinaldi / CC / Neil Diamond gives a concert in Australia
The act was supported by the American singer Neil Diamond. For him, the most important was the fact that, finally, the issue with the works that appeared before 1972 was resolved. Diamond says that many great musicians did not receive money for songs that are successful in streaming services, and the law corrects this injustice.
Nevertheless, some independent performers still expressed concerns that payments from streaming services would not be fair enough. The fact is that the composition of the Mechanical Licensing Collective will include ten representatives of music labels and only four independent songwriters. This can lead to unequal distribution of royalties in favor of large labels, since indie musicians are in the minority.
What are the challenges
Although MMA should help musicians receive a more equitable payment for their works, it has yet to work on. According to lawyers, the new law makes the system of license payments even more difficult, and it will be difficult for independent musicians to understand it. Representatives of copyright protection organizations agree with this. President of the American Society of Composers, Authors and Publishers ( ASCAP ) Paul Williams (Paul Williams) supported the act, but said that MMA is only the first step towards a full-fledged regulatory mechanism.
Much will depend on the action of the Mechanical Licensing Collective. The organization will have to create an exhaustive database of songwriters and think about ways to interact with labels and musicians. These are not easy tasks, and the decisions of the MLC will determine whether the new law will really benefit composers and performers.
Our microformat about audio and sound:
Go
Our headphone rating Go
Beginner's Guide: What is important to know about headphone ear cushions Go
Our buyer's guide: shelf vs floor speakers Go
How to make home audio listening more comfortable On November 10, in the showroom on Elektrozavodskaya, we will hold a special event, at which Artyom Faermark, the head of Audiommania, Yuri Fomin, design engineer, and invited experts will speak. It will be about modern approaches to the design and production of acoustics, recommendations for the selection of audio systems. You are waiting for reports, demonstrations, answers to questions. There will also be an online broadcast. Beginning at 12:00 - additional announcement and other details we will inform in our following materials and
Telegram-channel Audiomania .Source: https://habr.com/ru/post/428724/
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