
Not so long ago, the Sound podcast, which is being released with the support of Audiomania, was one year old. "Show Sound" has already 18 issues in which Audiani experts, experts and I, as the presenter, introduce students to the audio technology, from the basics to the most controversial, controversial and interesting questions from the world of audio formats, technologies and devices.
What is this podcast about
Even 20 years ago, everyone had heard about news from the field of audio technology, sound recordings, audio formats, many were interested in the topic of sound reproduction and recording, specialized subject publications appeared, followed by (later) sites and forums. Recently, the number of similar thematic publications has noticeably decreased, as well as the amount of information about news from the world of audio in the media has decreased - the media have switched to smartphones and other various gadgets.
And despite the fact that now the average user uses a tablet, smartphone or laptop to play sound, the need to listen to high-quality music has not disappeared anywhere. Just the channels through which the user could learn about how to achieve this, what to use, what to look for, has become much less. So the idea was to make a thematic podcast in which these topics would be covered, on the one hand, in sufficient detail for "neophytes", on the other - in volume and at a level interesting and for a more "advanced" audience.
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Throughout the year, the main topic of conversation was a kind of “debunking the myths” characteristic of the audio topic. For example, that the headphones of different classes should be compared and ranked by frequency range, power and resistance. And if the two models of headphones of different classes have the same characteristics, then there are no qualitative differences between them. Or that the background voice of non-residential premises is a rather expensive business due to the use of “professional” equipment, which allegedly costs more than “user-made” and is preferable to use.
In order to tell in detail and in detail about all the topics stated in 18 issues, it took us more than 11 hours in total. Listeners appreciated our work - for the first year of its existence, the podcast regularly hit the top Russian-speaking iTunes and the main showcase of iTunes Russia.
Issue formats
The main speaker of the majority of the show is Timothy Shikolenkov, director of Audiomania for marketing and business development (@timshick). Together we discuss issues such as portable audio systems and DACs, the choice of audio equipment for events and at home. We have already cited references to these issues
here . Plus we are talking about interfaces, cables (
here ) and vinyl (
here ).
For example, in the
18th edition we discuss the phenomenon of the “second renaissance” of vinyl records: we find out what “vinyl for DJs” is (and why this is, strictly speaking, not “classic” vinyl) and “vinyl for music lovers”, who today listens to vinyl records and where modern vinyl is produced. And we are talking about the types of modern equipment that reproduces vinyl.
“Those who once grew up on fairy tales like“ The Bremen Town Musicians ”are now buying updated versions of these records for children, listening to them on new equipment - and discovering many new things, because they have never heard half of all the sound nuances on old players ", - Timofey Shikolenkov (@timshick)
Invited experts
In addition to the main speaker at Show Sound, invited experts share their opinions and knowledge with listeners. For the first release with a guest expert, we took on his role as
Daniel Dobosch playing drums in the young music band BCB. Daniel from a position of a musician
told us about his understanding of various aspects of bass.
A frequent guest of our show is
Yuri Fomin , speaker design engineer, the founder of F-Lab, which works with high-end products Defender, Jetbalance, AVE and Arslab. He very thoroughly, in detail and interestingly shared with us his opinion on whether sound quality is measurable (and should be measured) (
7th edition ), what the essence of a sound ecosystem is (
8th edition ) and what is the nature of various acoustic systems (
16th edition ).
“There is a basic theory of designing“ linear ”systems - the one and only approach to creating a“ linear ”sound with minimal losses and distortions. However, sometimes the designer deliberately changes the frequency response of the system so that the person at a lower power can hear the “linear” sound. What circle of people might like it? Those who listen to the same music at the same volume as the designer. That is why many systems are produced, each of which can have a circle of its adherents ", - Yuri Fomin
Anatoly Arsenov, Candidate of Technical Sciences, a physicist by education, an expert in IT and digital sound, an engineer at F-Lab, took part in the recording of the show. Together with him, we looked at digital and analog sound from the point of view of its most basic aspects (
10th edition ).
“The history of digital and analog sound begins even before the advent of digital devices. Everyone is familiar with voice transmission using a wired phone - this is a real example of the transmission of analog sound from a distance. What is the prototype of "digital audio transmission" from the same era? Morse Code ", - Anatoly Arsenov
We also talked with leading experts in room furnishing: We talked about the harmony of the interior and technology and the various management options for this technology, for example, from the iPad, with Elizabeth Myakisheva (
12th edition ). And Alexey Shubin told about home theaters, their components and various myths that surround this topic (
13th edition ) (Alexey has been working in Audiomania for 4 years already, and in the field of home audio and cinema for more than 15 years).
The main showcase iTunes Russia. Here is the “Sound” of its first logo.Answers to questions from listeners
We decided to dedicate separate parts (and later whole releases) of podcasts to answers to the questions that our listeners sent to the “Sound” reviews in
iTunes (this is how listeners can influence the topics discussed in the podcast releases). Throughout the year of work, we have already managed to answer the following questions (we edited them slightly for general accuracy in the design of the post).
In
the 2nd issue :
- Is it true that wearing plug-in headphones physically harms the hearing organs more than the use of overhead headphones?
- Argued that the iPhone audio track is not the best. Can buying a portable amplifier make a difference if quality headphones are available?
- Should I think about buying a portable amplifier for plug-in headphones (or a portable amplifier can only be used with "monitor" headphones)?
- Do I need to change the equalizer settings to get the most from the headphones?
- What acoustic line can you choose for Mac / Mac Pro / iPad in the range of 15,000–20,000 rubles?
In the
3rd issue :
- Is it true that listening in vacuum headphones is less detrimental to hearing than listening in “plugs”?
- What can you tell about sound cards: both professional and amateur level cards (those that will help users to hear music, games and movies on a PC better).
In the
6th issue :
- What would you recommend options for optimal (price / quality) sets for the home (movies / TV shows / music)? What is the average price compared to the simplest pro builds?
- From what DAC, acoustics, speakers should start forming your home kit and what will be the range of prices for devices of this level?
- Is it true that the Soviet speakers Radiotehnika-90 are still a model of high-quality sound to this day?
In the
9th issue :
- How much does the type of room / room in which the sound is played affect the listening pleasure?
- What should be the preparation of the premises under the "audiophile corner"?
- What are the myths about bi-amping?
- Is it true that acoustics should stand on special "thorns"?
- What should be the "correct" wire connection to the acoustics?
- Why does the Microlab H-21 acoustically reproduce sound via Bluetooth better than from a jack?
- What can you tell about the format of listening to music 5.1? What format is better and how best to listen, for example, Pink Floyd: from a computer through a DAC or buy a separate SACD (DVD-A) player?
In the
14th issue :
- What better to do to improve the quality of music listened to from a PC: use a DAC or amplifier? Or use both? And if so, in what sequence should they be connected?
- Tell us about the AirPlay technology and device ecosystem: is it true that using AirPlay degrades sound quality?
- What monitors and headphones to choose for a home studio?
In the
17th issue :
- Tell us about “warming up the headphones”: is it true or a myth, and if it is true, for which technology is it necessary?
- SACD, SHM-SACD: do these formats really demonstrate higher sound quality - and if so, for which audio equipment is their use relevant?
- How well is it for a music lover to listen to music (hard rock, thrash metal, blues) using the bundle: iPod Classic + FiiO E17 Alpen + B & W P3?
We will continue to acquaint you with the features of audio in the new releases of “Show Sound” [
iTunes -
RSS -
Web ] and will try to make the next year of “Sound” life no less interesting and useful for everyone who loves to live, work, relax and move around. while listening to your favorite music, podcasts or audiobooks.
We are happy to answer your questions, friends!